Big free music hides behind little asterisk

When I bought a new flash drive, it came with an eMusic "50 FREE* songs" coupon. I visited eMusic.com to see what's behind the asterisk.

First, you have to enter a credit card or PayPal account so eMusic can automatically roll you into one of its subscription plans when your 14-day trial runs out. To get the 50 songs truly free, you must download them within 14 days and then cancel.

My trial included one audiobook, so I started there. But downloading books (or albums) requires installing eMusic's proprietary software. This rankled, though it's similar to installing iTunes to shop in the iTunes store. Except iTunes doesn't let you shop for half an hour and click a big button labeled "Download" before telling you the software needs installing.

The "Browse" feature at eMusic is pretty good. You can filter by genre, subgenre, editor's picks, user ratings and release date.

eMusic's interface is clean and easy to read.

But to listen to audio samples, you need to install an Adobe Flash Player upgrade, if you haven’t already. Which I hadn’t. I dislike Flash. One of my favorite Firefox add-ons is Flashblock. I had to add emusic.com to the Flashblock whitelist.

Then I spent the evening listening to music samples and downloading free tunes. As I got closer to having zero credits left, I started getting interesting messages. If I downloaded one song from a seven-credit album, eMusic offered me 6 free credits to complete the album -- and start my paid subscription.

The eMusic catalog is impressive. And in November, they’ll add another 250,000 tracks from Universal Music Group. I considered signing up for a subscription, but then I would be obligated to pay $12 a month for 24 tracks. (If you pay yearly, you get a discount.) I don’t want to be obligated to shop for $12 worth of music every month, since I currently average only about $7 a month for music. Those who know me well will not be surprised to know that I keep records this minutely.

So after I got my one e-book and 50 songs, I went to cancel the account. Would it surprise you to learn there’s a “just one more thing before you go” offer? An otherwise unpublicized “eMusic Mini” account -- $6 a month for 12 tracks. Even though this is below my monthly average, I gave it a miss. The cancellation process was painless. I took the exit survey so I could specify (and they anticipated this answer, because it was one of the multiple-choice options) that I prefer a la carte pricing.

Just to ensure there were no more asterisks, I logged back in and verified my account was canceled. It is, but my login remains in their system, and my account has a big button to click if I ever change my mind. Which, if eMusic switches from the subscription model, I might do.

The accidental rhythm section

I have previously mentioned Perri Klass's "Knitting Fantasies" column, which originally appeared in the Winter 2003 issue of Knitter's Magazine. An excerpt:

Duane Ellison Photography | iStockphoto

I have felt for years that classical music would be enhanced by knitting. I know, I know, the needles might click, even the whisper of yarn against yarn would be enough to upset some music lovers. I have no intention of pulling out my knitting at the symphony. I just know that if only I could, I might have a chance of reliably achieving that state of mixed concentration and relaxation which so often eludes me…"

I was not bold enough to attempt this stunt at the symphony, either. But when our church hosted a free piano concert by Sergei Kossenko, I figured it was worth a try.
It was nearly a successful attempt. No one complained. In fact, one of the ladies, a new knitter, changed seats to sit next to me so she could watch how I do it.
I had already pulled out my knitting when Mr. Kossenko made his introductory remarks, and when I spoke to him for a few minutes after the concert, he said nothing about the knitting.*
But the clicking of the needles did indeed prove too distracting -- for me. I found myself alternately trying to knit in time with the music or to knit quietly. Both were difficult, so I wound up hardly knitting at all. Although this was an interesting exercise, it's one I won't repeat. Except maybe, as Klass suggested, at an outdoor concert, where airplanes and sirens provide a greater source of distraction.

* He generously spent some time explaining to me the meaning of "Navazhdeniye," the title of a piece by Prokofiev. Mr. Kossenko listed it in the program this way, although English sources usually use the French title "Suggestion Diabolique," which is not accurate. He said diabolical is the wrong word, because it implies evil intent. Based on the conversation I had with Mr. Kossenko, I would describe "navazhdeniye" as a surreal delusion with overtones of doom, but free of malicious intent. I think he's right to give the title in Russian. It's good to learn new words.